I have often said that if a show can’t decide on what the title should be, that is an indication of troubles. Although “Shōjotachi wa Kōya o Mezasu” (“Girls Beyond the Wasteland” or “Girls Aim for the Wasteland”, often abbreviated as “Shokomeza” and also known as “Girls Beyond the Youth Koya”) somehow avoids this problem, the story it tells is one that I have already seen. Continue reading
Ever tried a new type of candy? The wrapper makes it sound interesting, so you get it, and, upon gulping it down, were disappointed in that it wasn’t what it seemed? I mean, it’s an OK candy, but you were expecting more or something else. My sad little tale explains everything right and wrong with “Dagashi Kashi”. Now, to make things even more convoluted, this is one of those Japanese language puns. If you pronounce it as ’Dagashi Kashi’ it means ‘cheap sweets candy’, but if read or said as ‘Daga Shikashi’, it can also mean ‘however’. The show is like that. Continue reading
This was a show I started to watch, had it taken away and picked it back up to complete it when it returned. “Sora no Method” (“Celestial Method”) is kind of like what happened to me with this show, in that things we did in the past have now come around to greet us again and need to be completed.
Nonoka Komiya (far right) is a girl who once lived in Lake Kiriya City, but moved out. Seven years have passed and she returns to discover there is a mysterious blue saucer hovering over the city. This is a big tourist attraction, as no one can answer any questions about it. I mean, all it does is hover, but is otherwise completely inert to anything and everything. As Nonoka tries to make herself at home, so to speak, she meets this odd girl, Noel (blue hair in the center) who claims that she not only knows of her, but has been waiting all this time to grant her wish to her, a wish that was made seven years earlier. Continue reading
This was a show I really liked, as it was one of the few times that I could actually relate to the lead character. And he works in Hell. No, I mean he actually works in Hell. “Hōzuki no Reitetsu” (“Hozuki’s Coolheadedness”) tells the story of Hozuki (although I have seen it as Hoozuki; that is him front and center) who is a demon ogre (Psst! Don’t tell Shrek, OK?) working for King Enma (Mr Jolly behind him). Enma is the Judge of Hell and makes the decision which Hell you go to. Huh? That’s right; there are 256 divisions of Hell (depending on what you did during your life to have you directed down here) and he sends you to, say, Screaming Hell (that’s where all the drunks go). It is up to Hozuki to make sure things run well once you get there. Can’t have the employees slacking off or not really doing their job; then Hell would really go to hell. Continue reading