Warriors of the “Wasteland”

I have often said that if a show can’t decide on what the title should be, that is an indication of troubles. Although “Shōjotachi wa Kōya o Mezasu” (“Girls Beyond the Wasteland” or “Girls Aim for the Wasteland”, often abbreviated as “Shokomeza” and also known as “Girls Beyond the Youth Koya”) somehow avoids this problem, the story it tells is one that I have already seen. Continue reading

“Sweets” for the Sweet

Ever tried a new type of candy? The wrapper makes it sound interesting, so you get it, and, upon gulping it down, were disappointed in that it wasn’t what it seemed? I mean, it’s an OK candy, but you were expecting more or something else. My sad little tale explains everything right and wrong with “Dagashi Kashi”.  Now, to make things even more convoluted, this is one of those Japanese language puns. If you pronounce it as ’Dagashi Kashi’ it means ‘cheap sweets candy’, but if read or said as ‘Daga Shikashi’, it can also mean ‘however’. The show is like that. Continue reading

Do You Believe in “Magic”?

This is seriously one of the weirdest ninja shows I have seen since “Senran Kagura”, but with unprecedented levels of fan service and that one was burgeoning with it. And I mean off the charts direction of fan service. Can you have too much fan service? OK, the correct term for a female ninja should be ‘kunoichi’, but no one knows that, whereas everyone understands ‘ninja’.

“Manyū Hiken-chō” (“Magic Breast Secret Sword Scroll“) relates a tale of ancient Japan…well, a different Japan than you have seen in the history books. In a reign ruled by the Tokugawa Shogunate (although it ran from about 1600 to 1870, let’s date this around 1840 or so), big breasts mean everything. And I mean EVERYTHING! Those who have huge breasts are guaranteed wealth and popularity. The women who lack them are not considered even human, more like pathetic wretches. Continue reading

That’s “Mister” To You

“Osomatsu-san” (“Mr. Osomatsu”) is a throwback show, something I have not readily encountered. The show originally ran from 1966 to 1967, in what would have constituted the First Wave of anime (and could have been shown on US television, when I had my initial encounter with anime back in 1964). It was everything you might recall from that time: flat or non-existent backgrounds, overly–broad characters, simple art design and pointless plots.

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Hand “Sample”

When you are a young youth, you have hopes and dreams and fantasies. One of them is that there will be a girl who likes you for you and you can have a lot of romantic events. Another is that you are needed to help people along, just by being you. Well, what if that came to pass? Thus is the plot idea for “Shomin Sample” (“Shomin Sample: I Was Abducted by an Elite All-Girls School as a Sample Commoner” orOre ga Ojōsama Gakkō ni ‘Shomin Sanpuru’ Toshite Rachirareta Ken”) and what a massive title that is for anything. Continue reading

“Punch” the Keys!

opm

I am so very tired of superheroes. Everywhere you turn around, another superhero pops up, having epic fights with epic villains or the Old Guard is trotted out to battle yet another implacable foe, bent on world conquest or world destruction or world series. I had some resistance to “One-Punch Man” (“Wanpanman”), as I felt it was more of the same. Well, it IS more of the same, but it is done in such a cavalier, toss-off, Whiskey Tango Foxtrot kind of approach, you are drawn into it, like a cheese log at the company party. Continue reading