I mentioned these relatively late in the podcast.

The podcast is back for 2010! The first new episode in ten months is a interview-focused conversation with Evan Minto (@VamptVo), editor-in-chief/webmaster of Ani-Gamers. It started off as an interview (and stayed that way in many parts) but it lost structure toward the end, though that looseness was fun as well.

I intended to post this over the weekend – I had said Thursday/Friday during the recording – but then my main computer began to have trouble booting up. Thankfully, I had finished the core editing and was able to upload it using my backup computer. It’s not as completely polished as I would like but it should be good enough to listen to.

 
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SHOW NOTES:

[00:13] Music: “Harlem Clip” by Gustav Ruppke

[00:47] Introducing Evan. I stumble while trying to explain why I asked him on.

[02:46] I ask about Genericon (Feb. 12th-14th) and Evan’s studies at RPI. He’s double majoring in Computer Science and in Electronic Media, Arts, and Communication (EMAC).

[08:59] We then talked about the equipment used for recording the Ani-Gamers podcast…

- Samson COU1 microphone [Amazon]
- Zoom H2 [Amazon]

[13:20] … the editing process…

[17:34] … accepting promos…

[20:45] … breaking into the anime/manga/otaku podcast community…

[23:07] … and show notes.

Ani-Gamers #24 about Sword and the Stranger
Debut episode of The Speakeasy, the Reverse Thieves’ new monthly podcast

[28:00] The final focused topic was the Ani-Gamers website and its contributors.

[29:41] I find out how long the posting queue is.

[32:00] I move onto the contributors, who choose their own subjects to write about on the website.

- Elliot’s review of Excel Saga manga vol. 1-20
Collection of Ani-Gamers’ 2009 Staff Picks

[35:05] Our discussion slides into the subject of review copies: I betray my meekness in asking for them, Evan states his policy of recommending his reviewers give away their review copies and buy their own afterward.

- That Cartoon Network show I couldn’t remember was Storm Hawks.
- I did remember about Lux-Pain, which I need to return to and finish.
- These two reviews of King of RPGs vol. 1 came from the same physical copy.

[52:05] False ending (or “bonus” content?), where we briefly talk again about promos and then other podcasts.

The Geekbox (it’s about geek stuff including games, film, TV & comics)
- Fast Karate (listened to this episode – it was pretty good)

[59:05] Music: “Kyoto Melody” by Orquestra Popular De Paio Pires

Omake: dub sample from Wild Cardz

(The music in this podcast was used under a Creative Commons BY-NC-SA license.)

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Kadokawa is a large Japanese publisher so it’s not surprising that there are many anime adaptations based on its properties. On Newtype’s website, a monthly special tied to its January 2010 issue focuses on adaptations being released this year with accompanying trailers and provides three related works (関連作品) for each title that you can watch through Bandai Channel, a point-based video streaming service. (Newtype is a Kadokawa publication, by the way.)

The feature doesn’t say how these are related to each other so I tried to figure out the connections using the “compare this anime” feature in ANN’s encyclopedia.
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Y’know, Year of the Tiger? (pixiv link)

It’s become a habit of mine to be tardy with the annual predictions post so I won’t make excuses and will just move on to judge how well I did with predictions and how poorly I followed through on some resolutions. (You can see last year’s post for the reasonings behind those.) I also made some guesses about the year ahead and some different goals to work toward because I can’t get myself to break this cycle – it’s become too much of a tradition.
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grabbed from Google cache

The black and orange scheme the blog has had since its last visual overhaul began feeling stale at least six months ago (can’t recall exactly when). Deciding to switch from Mandigo to something else – in this case, Tarski – was partly prompted by a Twitter conversation about pseudonyms, spawned by a MangaBlog post about making your site more user-friendly.

Yes, this is the same theme SDS uses but I’m continuing to rock a right sidebar and orange color scheme like always. The back-end tweaking is mostly done, although I managed to knock the alignment off-center while increasing the width (I’ll try to fix this ASAP – it looks fine on a 1024×768 setup) and the Google search box wasn’t working so I reverted to the standard search widget.

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Since I began working a day job where my computer use is restricted, I’ve had to catch up on Twitter happenings in long bursts once I get home. Earlier today (Monday), another discussion about moé occurred among the people I follow. I didn’t really have a good opinion about what was discussed but I still wanted to say something more substantive than “I don’t really care”.

It was when I read the following words from the writer of AnimeVision (@animevision) that I had a moment of clarity and knew how to phrase my personal attitude toward this subject:

Try this: ‘moe’ is what I feel when I see my kids. They’re small, cute, vulnerable, and unwise to the ways of the world. They need… #
…protection, and the feelings I have for them make me want to provide that protection. Nothing more, nothing less. That people can… #
…develop that sort of attachment (or more!) to a ‘2D’ character is an interesting concept, though. Moe for me in anime is simply visuals. #

That desire to protect and take care of something smaller than oneself (even a pet) is something that feels a little odd to me now but perhaps such feelings may develop inside me when I get older and maybe have kids or get an animal companion. In the present, I prefer strong characters in my entertainment – or rather, ones with resolve and thoughtfulness. Outspoken, smart, sensual personas over those who are jitteringly nervous, whiny, or naïve. A different sort of idealization but one that I’m more comfortable with than an objectifying kind.

I don’t go out of my way to trash things dubbed as moé material because I would rather spend my time with something I might enjoy. Last summer, I tried to give Kanamemo a chance because it dealt with delivering newspapers. In the first four episodes I watched, there were some good moments like Saki (the flat-chested chief) managing her delivery crew and the girls singing in a park to placate a group of creepy guys with cameras into buying subscriptions. I also enjoyed the relationship between Yuuki and Yume and the mutual affection each had for the other.

However, the mothering overaffection of Haruka toward Kana (and even Saki) unnerved me enough that I haven’t gone back to the series. I may someday return and finish it – who knows. I acknowledge that Haruka’s behavior was supposed to be funny and it probably was funny or cute to some viewers but not to me.

I find both sides of this amorphous debate increasingly annoying – it’s become such a tired topic. The fires of haters and defenders seem to burn stronger with each passing month. Can’t we just go back to using “adorable” to describe approximately the same thing? Moé may have different meanings to many people – this guy wrote a tl;dr piece about six of them – but I would like to withdraw myself from any further discourse surrounding it and focus my energy toward more constructive endeavors.

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