“Osomatsu-san” (“Mr. Osomatsu”) is a throwback show, something I have not readily encountered. The show originally ran from 1966 to 1967, in what would have constituted the First Wave of anime (and could have been shown on US television, when I had my initial encounter with anime back in 1964). It was everything you might recall from that time: flat or non-existent backgrounds, overly–broad characters, simple art design and pointless plots.
A new crop of anime series debut next month and I’m interested in a handful of them. I also sampled Neo Yokio and didn’t like what I watched. Continue reading
Crunchyroll had its first convention-style event last month (August 25th to August 27th) at the Santa Clara Convention Center in Santa Clara, California, and I had a fairly positive experience as a weekend attendee. Continue reading
I read volume 1 of Kore Yamazaki’s The Ancient Magus’ Bride tonight, partly because Yamazaki is a guest of honor at this weekend’s Crunchyroll Expo in Santa Clara, California. I had heard praise for that manga over the past couple years but didn’t know much about it. This first volume engaged me with its characters (mage Elias, his apprentice Chise, and Elias’ various acquaintances), fantastical creatures, and recurring talk about magic gradually fading out of practice.
Kore Yamazaki is scheduled to talk on Saturday afternoon about her career & other projects and she will also participate in a Sunday preview event for the upcoming Ancient Magus’ Bride anime series. (The three-day schedule is available on the official website and through the Guidebook app.)
I’ve been thinking about how Crunchyroll Expo appears to be organized more like a media expo than like a fan-run convention. Many of its guests have prior connections to Crunchyroll or its parent companies (Otter Media and Ellation): Rooster Teeth and Cartoon Hangover appear on the VRV video service (operated by Ellation); some of the YouTube “influencers” have Crunchyroll free trial affiliate links or sponsored videos; and upcoming anime series Kino’s Journey, Juni Taisen, URAHARA, and The Ancient Magus’ Bride have already been announced as simulcasts on Crunchyroll. Please note that I’m not implying any of the guests are not worthy of being invited; I’m just being conscious of its promotional aspects and how different my experience might be compared to Fanime or Otakon.
Anyway, I plan to be in Santa Clara all weekend so if you’re also going to be there, please say “Hi!”
If there are any folks out there that recall the series “Muv-Luv Alternative: Total Eclipse”, this series is the prequel to it. “Schwarzesmarken” (“Black Marches”) takes place 18 years earlier, across East Germany, when humanity thought they still had a chance to win. Let’s back it up a bit for the new ones.
In 1958, oddities were noted on the surface of Mars, but no one paid it any heed. These oddities got to the moon by 1967, got identified and the fight began. They landed on Earth in 1973 and things really took off. And who are they? They are the BETA, which stands for “Beings of the Extra-Terrestrial origin which is Adversary of human race”. I guess. I mean, we could have easily called them “Terrible, Ugly, Rapacious, Destroying Space-types”. Anyway, there are eight caliber of these BETA, but we usually see the Grapplers, Tanks, Soldiers and Lasers. They all can be destroyed, but their advantage is sheer numbers.
I re-watched the first Battle Royale film, accompanied by a Giant Bomb subscriber-only audio supplement. (That website’s staff has enjoyed playing PlayerUnknown’s Battlegrounds a lot in recent months and that game has some noticeable Battle Royale influences.) I think I appreciated the movie more now compared to when I first saw it in college.
There is a flashback scene involving two students and one of them is reading manga while lying on a bunk bed. He’s holding a volume of Slam Dunk and there are a couple stacks of manga behind him. I was watching on a stream through Shudder so it was hard to make out some of the titles in those stacks, but I think the tall stack in the far back with red titles on a white background as a Young King Comics series, thanks to the gold “YK” at the top of the spines. Continue reading