I have a problem with long-format shows, as I am not certain where to break it and give a review. A long-format show is any offering with 50 or more episodes, things like “Monster” or “Toriko” and certainly “One Piece” or “Detective Conan”. Should I wait until 52 parts are in the can and do it then or should I wait for it to ‘end’ and give the overview at that point? Such is my dilemma with this one.
A show about world domination and interplanetary protection, “World Trigger” (“Wārudo Torigā”) has as much working for it as working against it. But I get ahead of myself. Perhaps too far ahead. I started writing this in a mistaken belief that it would end fairly soon, but I guessed wrong and here we are, loads of episodes in and possibly more on the horizon. Continue reading
This is an curious entry in the mecha category. Yes, I know that I’ve mentioned that I don’t like Giant Fighting Robots shows and mecha usually evolves into it, but this is done with a bit of a different take on things.
“Comet Lucifer” (“Kometto Rushifā”) takes place on the planet of Gift. (Is there a planet called “Returns”?) On this planet are glittering blue crystals known as Giftium, which are buried deep underground. A young boy named Sōgo Amagi (on the right) lives in the prosperous mining town of Garden Indigo. Sōgo, whose hobby is collecting rare crystals, becomes involved in a dispute between his classmates, including Kaon Lanchester (on the left). He wanders deep into the ruins of a mine and discovers an underground lake. There, Sōgo meets a mysterious blue-haired girl with red eyes named Felia (in his arms) who is looking for something that takes them to the edge of their planet and into the adventures that follow. Continue reading
This is seriously one of the weirdest ninja shows I have seen since “Senran Kagura”, but with unprecedented levels of fan service and that one was burgeoning with it. And I mean off the charts direction of fan service. Can you have too much fan service? OK, the correct term for a female ninja should be ‘kunoichi’, but no one knows that, whereas everyone understands ‘ninja’.
“Manyū Hiken-chō” (“Magic Breast Secret Sword Scroll“) relates a tale of ancient Japan…well, a different Japan than you have seen in the history books. In a reign ruled by the Tokugawa Shogunate (although it ran from about 1600 to 1870, let’s date this around 1840 or so), big breasts mean everything. And I mean EVERYTHING! Those who have huge breasts are guaranteed wealth and popularity. The women who lack them are not considered even human, more like pathetic wretches. Continue reading
This is a gritty crime drama, set out in a town that is ruled by crime lords, so everyone is miserable all the time. It emotionally rains every day and life is very cheap. Welcome to “Gangsta” (“Gyangusuta”).
We are in the town of Ergastulum. It is not truly identified as such, but it had a Mediterranean feel to it, almost Italian. We follow the lives of two ‘handymen’, Nicolas Brown (far left) and Worick Arcangelo (right next to him). Many years ago, Worick had Nic as a personal bodyguard, but when Worick’s father stubbed out a lit cigarette in his eye (you did notice the eye patch, right?), Nic dispatched the family and they both went underground. You see, Nic is ‘special’.
He is known as a ‘Twilight’, a person with superhuman abilities, gained from the drug Celebrer. He is deaf and uses sign language to communicate, but reads lips well. They are dispatched to clean up the dirty jobs that a lot of the other crime families won’t even touch. The two ladies? At the far end is Alex Benedetto (Ally) who was working as a prostitute, but is saved by the two guys (she plied her trade in the alley just across from their office/apartment) not only from her life, but from her abusive pimp. The little girl is Nina and works for Dr. Theo, one of those back-alley doctors who patches up people after the rather numerous battles and helps get the Twilights their Celebrer.
The series details their lives in this gritty town and the machinations in place that seem bent on eliminating all the Twilights. Continue reading
As of late, I have been running into a lot of fighting academy shows, where people of varying degrees of talents and abilities are shipped off to this particular institute or that particular school to hone their particular fighting skills, in that they may defend this country or do battle against other schools for honor and glory and taiyaki. It’s like being in “The Goblet of Fire” but without Cedric Diggory. (Hmmmm……….this is like déjà vu all over again). Much like “Sky Wizards”, “Asterisk War” and/or/perhaps/either “Bahamut”, this one, “Rakudai Kishi no Kyabarurii” (“Chivalry of a Failed Knight” or “The Heroic Tales of the Failure Knight”) continues in that same vein. Continue reading
An asterisk is that little star you sometimes see, next to things like ‘free* checking’ or ‘free* bat day’ or ‘free* Willy’. It is an indicator that things are not on the up-and-up. That is certainly the case with “The Asterisk War: The Academy City on the Water” (“ Gakusen Toshi Asutarisuku” “Academy Battle City Asterisk”). But, first, we must go back to the front.
In the 20th century, a disaster called Invertia led to the destruction of numerous cities across the world. (Well, I assume the world. I mean, only Japan got pulverized?) In response to the declining economy, the Integrated Empire Foundation is organized to assume the world’s leadership. The parallel city of Rikka, also known as Asterisk, has six academies which hold tournaments called “Festas”. Seidokan Academy becomes the 5th highest-ranking academy in Asterisk. Now, the thing about Rikka is that it is designed to look like a stylized asterisk, with the six academies as the points of the star and the festival battlegrounds as the center.