Anime

You are currently browsing articles tagged Anime.

Only one rule but a very important one.

Seventh of 12 entries for this year’s “Twelve Moments in Anime” Project.

Earlier this week I watched Time of Eve, a net series that has gotten a fair amount of praise. I enjoyed it as another of Yasuhiro Yoshiura’s projects about how future humans might relate to technology (I wrote favorably about Pale Cocoon in 2007) but there was a roughness that perhaps the re-edited film version will help smoothen, although I don’t want *everything* to be explained – I believe in the audience’s potential to put pieces together. A deeper reason why I liked it was that it made me think about what opinion I might hold if I had grown up in that speculative future.

I don’t want to get into particulars because I think each potential viewer should go into it fresh but it took a while for me to like the two male protagonists, though I suspect that may have been intentional on Yoshiura’s part. Both of them begin with particular ideas about how androids should be treated by humans and I held a different position: that they shouldn’t be treated differently, at least within the titular cafe. So, I often identified with Nagi, the kind cafe owner.

I immediately grafted on the cafe’s rule once I saw it because 1) that’s the ground rule so potential customers should just deal with it and 2) rather than thinking it was a frustrating rule like the two guys did, I thought it allowed for the best experience for both human and android visitors to enjoy themselves. I wondered why did the guys had to be suspicious about whether some customer was human or not, even though I knew I was unconsciously doing the same thing as I tend to analyze or think ahead while I watch many things.

Now, if I had grown up in that time and thus lacked the cultural acceptances I formed from reading various science fiction works and from being a general tech nerd, would I have had the same open feeling? There is a chance that I might because I hope I would be respectful and appreciative toward android aides if I interacted with them on a regular basis (possibly from a youthful optimism?) but I can’t be entirely certain as it’s a hypothetical and I don’t know what caused the “just a robot” general sentiment in this world. The whole master-servant dynamic feels strange to me in general so if I had that same uncomfortable feeling in that fictional world, maybe I would be more on Nagi’s side. Again, I can’t be sure how I would act because it’s a “what if” situation.

(An aside: in that world, how much has the population aged in Japan and what has happened to the birth rate? House droids would seem to be helpful to the older generation – similar to the currently projected initial implementations of “helping robot” technologies.)

While typing out an initial draft of what I wanted to say, a connection occurred in my brain between the desire of the house androids to freely express themselves unbound by their societal restrictions and a similar desire in people who cannot easily communicate their feelings. Recently it was reported that a man named Rom Houben woke up from a 23-year coma and claimed to have had some awareness around him the whole time. There is some debate as whether he actually had locked-in syndrome but let’s assume he was for the sake of my point.

I would rather not be in either position – a servant android with overrides or a person who unable to let his feelings be known – because both are frightening to me as someone who has been able to freely make decisions for the most part but still, I thought about what if I were. In both scenarios, I would be assumably be able to know the feelings of those who interacted with me although as an android, I’d be able to converse with my masters – unless there was some prior restriction preventing me, of course. I am sure that I would have loyalty to masters imprinted on me and probably be fine with that except it would be emotionally painful (do those words even work in this situation?) to be treated like dirt and not be able to easily talk back. As I mentioned a few paragraphs earlier, I don’t like the master-servant dynamic – from both sides of the coin.

AI is still in its early stages of development so it’s difficult for me to be sure how I – back to being a human now –  would act when dealing with a humanoid machine that truly learned patterns and cared for people. I do know there will very likely be an human-focused interest group like the Ethics Committee, whose collective mission could be an allusion to present-day anti-immigration groups, asking in television ads whether you would want to eat food grown by robots. My opinion in this might be affected by an incident that happened in the past and caused changes in public opinion about the use and regulation of robots.

(I now hate Asimov’s three laws a bit more after watching ToE, particularly if it is going to be a core element in any robot case law. Oh man, I am not looking forward to the time when statutes of that sort will first be codified.)

I admit this is kind of a mess but I hope you somehow grasped what I got out of this net series. I recommend checking it out if you’re interested in human-android interaction stories and particularly if you liked Pale Cocoon for the visuals (I’d like to see the Blu-Ray version). Even if you don’t decide to watch the show, you should at least take a look at something Alex Leavitt wrote about Time of Eve‘s production and publication for MIT’s Convergence Culture Consortium blog.

Tags: , , , , ,

Fifth of 12 entries for the year’s “Twelve Moments in Anime” project.

Higepiyo was a spring series that I was instantly interested in because it had a bearded chick with the temperament of a warrior (voiced by Romi Park) living at a grade-schooler’s house. I had mostly forgotten about the show until yesterday but I watched some more of it tonight and still found it entertaining. The stories in each five-minute episode are fairly simple (e.g. Higepiyo furnishing his own room, which is actually a topless tomato box) but the humor works for me and that’s all it need to do. The same standard holds for the also-5-minutes-long Naked Wolves, which is about a sumo wrestler travelling around the world to acquire moves so he can avenge a loss in the ring.

My favorite moment so far was in the fourth episode, where Higepiyo pushes Hiroshi (the boy) to finish his school lunch quickly so both of them can have seconds. Their competition is the school bully and the dish is yakisoba. Higepiyo wolfs down a lot of it, then turns toward to the bully and his buddies to stun with a pig nose drawn of his face. Once Hiroshi wins and gets a second plate, Higepiyo suddenly realizes that there’s no meat in it and expresses his dismay. The whole affair stuck out to me since I consider myself to be moderately passionate about food.

Tags: , , ,

Oh so beautiful. This also emotionally resonated with me. I’d love to have a poster of this.

Fourth of 12 entries for the year’s “Twelve Moments in Anime” project.

WARNING: SPOILERS for Gurren Lagann ahead!

In an effort to finish Gurren Lagann before heading off to Anime Expo, I marathoned the rest of the series from episode 15 forward using the sub-only DVDs I had previously bought. I enjoyed the series as a whole for its freshness, even though the concluding episodes distorted the sense of scale and it took the epilogue to redeem the ending for me. While watching, I was deeply affected by an exchange between Simon and Nia in episode 22.
Read the rest of this entry »

Tags: , , ,

Third of 12 entries for this year’s “Twelve Moments in Anime” Project.

I first came across the two-episode OVA Wild Cardz in an unfavorable magazine review – I think it was in Animerica but I’m not sure. [Update 12/22: I found that issue - Animerica Feb. 2000 - while looking through some boxes and the review's tone was positive. Maybe it was another magazine & anime I was thinking of...] Anyway, I rented the CPM DVD through the mail in October and thought it was okay but limited by its length. Enjoyable if all you’re expecting is action.

The Crown Knights, protectors of the Card Kingdom, consist of four girls with special powers, each named after a suit in a deck of cards: Jo Diamonds, Casa Clubs, Coco Hearts, and Sunday Spades. We see the girls catching a cat burglar named Red Lobster and soon after, a giant white pawn emerges from the river and begins floating toward the city. Then a black knight piece appears, heightening the situation for our heroines.

The action is fast & well-animated and there are peppered bits of humor, particularly the angered exchanges between Jo and the stereotypically Chinese-accented Chee Chuu Kai. One thing I found interesting was that each Crown Knight has either “17th” or “18th” suffixed onto their name, hinting at them being the latest in a long line of Kingdom defenders.

Those suffixes play into how I interpreted a particular sequence at the end: after the battle, we hear the Knights’ voices talking in a white space about what Jo, who had failed to entirely outrun an explosion, wanting to be a bird in her next life. (“She would make the fastest ostrich ever” sounds hilarious the way it’s said in the English dub.) We see her floating with two holes nearby, one red and one black. Not knowing which to choose, she does the same odd-or-even card flip seen earlier in the OVA and at the end of the cast credits, we see it’s neither and that she’s near the same tree where she’d thrown the first card with her legs starting to move.

The slower tempo of the scene, following a whole lot of action, took me by surprise and stuck in it in my mind. I thought of the white space as Jo’s inner consciousness and depending on which hole she chose, she could either resign to being reborn or she could strive forward to continue living her current life. The Joker coming up implies to me that she was leaning toward continuing on as well as perhaps the universe telling her, through chance, to stop deferring decisions onto the tossing of cards. (Maybe I’ve analyzed this scene more than I should but it feels like it’s there for a reason!)

Tags: , ,

Second of 12 entries for this year’s “Twelve Moments in Anime” project.

Before this year, all I had watched of Cowboy Bebop were four middle-of-the-series episodes from a used DVD volume, another I caught on cable one night, and the first part of the movie. After buying the Anime Legends collection set in July and finishing it earlier this month, I now understand why this is such a beloved show – the characters, the chemistry between them, the fluidly-animated action, and the themes. There were a few moments I could chosen to highlight (the end of episode 1, for example) but I knew one in particular would make this year-end retrospective right after I had experienced it.

The bounty target for the Bebop crew in episode 7 is an explosives-smuggler named Decker – the only problem is that no one knows what he looks like except that he has a dragon-shaped tattoo. Faye thinks that she’s found him in a diner so she sidles up to a well-built man and uses some sensuality before holding a gun to his chin. The real Decker, a guy with Woody Allen-glasses sitting in the next booth, becomes frightened and sneaks out of his booth but not before Faye tells him to call the police. Once she see the dragon tat on his arm as he’s leaving, she tears off the front of the buff man’s shirt to discover an eight-eyed eel. (Oh, by the way, the diner is named Woody’s.)

This sort of “not what it seems” humor surfaces throughout the series and I found the comedy, action, and thoughtful moments were well-blended together to make a show that I won’t mind going returning sometime next year. I watched it all the way through with Japanese voicing since I hadn’t heard those voices before; my rewatch will use the English dub because I don’t remember much of it.

Tags: , , ,

§