
The last twelve months have been difficult for everyone – social disorder; worldwide illness, and deaths from COVID-19 and its variants; remote interactions failing to be complete substitutes for in-person interactions; and a contentious U.S. election cycle.
I’m hopeful that current coronavirus vaccine distributions and more competently managed public health initiatives will lead to a modified return to regular life. I’m not eager to go back into a movie theater anytime soon but I would consider attending a convention this summer/fall if the risk of attending has been significantly reduced by then. Large anime conventions are being rightfully cautious: FanimeCon recently announced it will be all virtual this year after last year’s cancellation, Anime Expo will not hold a physical show this year, and Crunchyroll Expo will go virtual for the second straight year. So it might be a stretch to think there will be a quick resurgence of in-person conventions.
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Crunchyroll had its first convention-style event last month (August 25th to August 27th) at the Santa Clara Convention Center in Santa Clara, California, and I had a fairly positive experience as a weekend attendee.
I read volume 1 of Kore Yamazaki’s The Ancient Magus’ Bride tonight, partly because Yamazaki is a guest of honor at this weekend’s Crunchyroll Expo in Santa Clara, California. I had heard praise for that manga over the past couple years but didn’t know much about it. This first volume engaged me with its characters (mage Elias, his apprentice Chise, and Elias’ various acquaintances), fantastical creatures, and recurring talk about magic gradually fading out of practice.