anime expo

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Earlier today, Anime Expo announced the release of an iPhone/iPad app for this year’s convention and some of the people I follow on Twitter took contention with the fact that it’s not a free app – rather, it’s priced at $1.99. Not expensive but still fodder for observers in the wake of learning tickets for Main Events – the concerts and Masquerade – will start $15 for 4-day attendees ($15 if obtained online, $20 on-site) and cost $30 for 1-day/2-day attendees, which Zac Bertschy complained about on a recent ANNCast with the fear that it might cause other cons to charge for similar events, something I don’t wish to become a trend.

I already decided months ago that I wouldn’t attend this year’s AX because 1) it’s a long drive and 2) I’m going to Otakon later in July so that’ll be my big “industry” con of the summer. However, I still want to briefly write about these two pricing matters. First, I can understand charging for concerts because they are an extra event (people often pay more for concerts, right?) but the Masquerade, despite being a well-attendance event, is not something I would be inclined to do as an organizer because of the amateur, fan-based nature of the event.

Those who don’t want to pay but still want to attend the events do have a last-resort free option:

If a particular Main Event has not sold out, a limited number of tickets may be available for free after the start of the event at the discretion of the Main Events ticketing staff. It is recommended that interested attendees purchase a Reserved Seating ticket either online or at the Main Events Ticketing Booth.

Anime Expo is a large event – last year’s attendance was 44,000 – and so there are significant costs in putting on such the entire ordeal. Part of that cost is paid through the registration fees from attendees. (I think other sources include exhibitor and artist alley space costs as well as sponsorships.) This year’s pre-registration price for a 4-day pass is currently $75 and I suppose some attendees may have expectations that concert or masquerade entry fees would be included in that.

Now onto the iPhone app, an easier subject. The features of the application [iTunes page] include a sortable schedule, an searchable exhibitor index & map, a map of nearby businesses, convention announcements, the ability to save items to your favorites, and some upcoming items such as a crossword puzzle, blog articles, and photo gallery. I assume there are some development costs involved in putting the app together so $1.99 sounds reasonable for what you get. If you don’t want to pay for the convenience of having all that on an Apple mobile device, that’s fine – there will still be daily PDF schedules you can download or the listings in the printed guide you’ll get in the registration bag.

I would prefer there be a platform-neutral mobile schedule for convention updates, like Fanime had this year. (I wouldn’t be able to use the AX app because I have an Android phone.) It was nice to quickly know about changes to panel times and get a quick glance at which events were happening concurrently, something that I could check in the printed Pocket Guide except for the events that has scheduling changes over the weekend.

To sum up: both the priced ticket events and the iPhone app are optional things that many fans may not need to deal in order to attend and enjoy the convention. The ticket costs are a bother for those who do want to attend those events and I’m sure a fair number of people are willing to pay for the concerts and not very many, if any, will pay for the masquerade. No one is forcing anyone to purchase and use the iPhone app so the pricing should be less of a concern, particularly for resourceful attendees who do some planning ahead.

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Never again.

Sixth of 12 entries for this year’s “Twelve Moments of Anime” project.

Like last year, I attended both Fanime and Anime Expo but I liked the 2009 visits more because I had an easier time talking with people I knew who were also attending, particularly at AX. Admittedly, I lost a digital camera at AX so that was a bit of a downer but I still managed to take adequate pictures using the camera on my phone.

I was mainly rolling solo during Fanime, save for a brief walk through the dealers’ hall with lolikit & his friends and watching Spring and Chaos. Even though I was sharing a room with friends from the anime club, the things I want to go to rarely overlapped with what they were interested in, like the cosplay masquerade. There were a couple times where I sat alone and finished an entire volume of manga because I had nothing else I wanted to do. The blogger meetup pizza lunch and the nice dinner a block away from the convention center were among the high-points of the weekend because I was able to have good conversations with those whom I considered peers.

I was also staying with people I kind of knew for AX but since we were carpooling to the convention center from our hotel, I tended to go to more things with one of those people. I met a few more people in person whom I knew from online like Randall, sabas, and Alex. (You can read a few more names in the con report from July.) There were also a few social gatherings: one where I walked with some people to a Subway and we ate on our way back to the LACC, another which could be pegged as a semi-proper meetup since it had more bloggers (unfortunately, I sat near the end of a long table so I missed out on much of what the rest were talking about), and a third where we ate at an IHOP.

Both of these convention experiences have proven to me that I’d rather hang out with friends than be a lone, roving reporter type, especially for meals. A few months later, I expressed a similar sentiment in the week after NYAF of wanting future convention experiences to be more meaningful, though that was mainly wanting to attend more concerts/creative panels and fewer industry announcement panels. I still want to attempt to conduct interviews and try to do a conversational podcast at a convention – I hope most of the people I have in mind for the latter won’t be too busy during the weekends.

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MangaGamer booth No, I didn’t buy that long bag for $5 but a bunch of other people did.

I decided to write about the swag, purchases, and other tangible spoils from AX 2009 separately from the standard report because I figured I would be including many pictures, which you may gaze at below.
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Friday morning’s breakfast from Famina conbini

If you’re expecting detailed industry panel reports or news recaps, go to one of the big sites/blogs because I’d rather not waste space recanting ubiquitous information that could be used for opinion and reflecting on experiences.

Industry Stuff That Interested Me (and Maybe You As Well) #
- Two different people during FUNimation’s panel asked about their contracts with ongoing series in One Piece and Case Closed (Detective Conan). Regarding One Piece, they will have to renegotiate for the 4th and later seasons as well as the other movies (they’ve only released the 8th one); with Case Closed, the 5th season (released on May 12th) was the last one they had under their current deal. My Bride is a Mermaid (Seto no Hanayome) is on pace for early 2010, February or March.

- Aniplex said during their Q and A that FMA Brotherhood would be 63 episodes, something that was news to me until I did some Internet research and found out that was confirmed at their booth at TAF. Since episode 14 premiered on July 5th in Japan, the finale should air sometime in late May/early June 2010. I haven’t been keeping track of how quickly it is covering the manga storyline but the 22nd volume was published in Japan this April so it should at least catch up close to there.

- eigoMANGA is coming out with an 99-cent iPhone app that they hope to show around Comic-Con. It will serve as a reader for installments you could sample and then download through the app. The pricing for those and which series will be on there at the start will be determined later.

- You may have already heard that Nozomi will be releasing Antique Bakery and Junjo Romantica in the US in 2010. I think these are smart pickups since they haven’t really gotten into boy’s love except for Gravitation and there is an audience they can serve with both titles. Nozomi also has a merchandising agreement with Junjo – I don’t know what goods they might bring over but I’m sure some fans might want to buy them.

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I’ll be seeing you again soon, stuffed owl.

A week ago, I wasn’t seriously considering travelling down to Anime Expo after last year’s long drive and feelings of fatigue afterward. But an hotel room offer came up recently from someone I know (not sure if I can say who) and since my family doesn’t have plans for the weekend, I decided to seize the opportunity. I pre-registered last night so unless I want to let my $65 go to waste, I’ll going to spend some time at the LACC next weekend.

Here is my preliminary schedule (subject to changes):

Thursday
10am: Digital Manga Publishing (will miss because I’ll be driving)
5pm: Nozomi Ent./Right Stuf
7:30pm: eigoMANGA
10pm-12am: TTGL Focus Panel and Documentary (missed this at Fanime)

Friday
9am: Bandai Ent.
11am: CMX
12pm: Aniplex or Yosuke Kuroda/Seiji Mizushima (leaning toward Aniplex)
***Why are these at the same time? ***
3:30pm: Viz Media
6pm: Without Watching the Anime: OPs & EDs (by Alex Leavitt)
9pm-12am: AMV Contest (list of finalists)

Saturday
9am: Indecent Otaku Comedy Hour (eh, why not?)
12:30pm: Funimation
5pm: Nozomi Premieres (maybe)
8pm: Oneechanbara movie (maybe)

Sunday
10am: Directors Guests of Honor Panel
11am: Crunchyroll
12pm: The Problem With Otaku (Alex Leavitt again)
1pm: Production I.G.
2pm: NIS America (if I’m not exhausted by then)

Then, GO HOME!
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