It is pretty clear that FUNimation’s roll out of their new license Shikabane Hime onto streaming video websites on Friday trumped what little bit of buzz ADV planned to generate with its Monday license revelations, not only because the title debuted only three weeks ago on Japanese television but also because of the strings and behavior involved in what will be the company’s most ambitious venture into digital distribution yet.
Let me make this clear before I proceed: I will not intentionally imply or assert that FUNimation has any ill intentions despite what the title of this editorial might suggest through subtle reference to contemporary politics; I simply wish to flesh out the many promises and concerns I have about their influence on how the handling of Japanese animation in North America will evolve in the near future. I will give them respect when due but I will also not hold back on expressing any pertinent criticisms. Read the rest of this entry »
I considered composing a long post about Greg Ayres’ panels and how resolving the status of the anime industry may involve ditching dubs and/or , but it was just easier to embed some YouTube videos relating to AnimeNext instead. (OK, here’s my short take on it anyway: general population is growing tired of buying physical media to own and the current economic situation is compounding the problem.)
The dude in the above video is responding to a boring, grainy, crappy video an actual attendee made showing off the Lupin and DBZ figures he bought and I think he makes a good point about spending money on figurines that perhaps some of the figure bloggers can explain to me. Saying Trinity Blood was just “the Japanese not understanding Catholicism” made me laugh but so far the guy has only been doing commentaries through video responses so ‘meh’ to him otherwise. The rest of the videos will be footage filmed by citizen journalists/teenagers/bored people at the con. Read the rest of this entry »
I recently watched the premiere episodes of The Tower of DRUAGA -the aegis of URUK- and BLASSREITER on BOST TV, Crunchyroll, and YouTube to compare the visual quality and the placement of subtitles and also to see if they were shows worth following after the first two episodes. I decided to formulate two separate posts for each series so the next one will be about Blassreiter and will likely have the same technical results. (Links: BOST TV, Crunchyroll, and YouTube.)
I was just catching up on a couple days of unread AnimeNano RSS feed backlog and read about Hinano’s situation with YouTube taking down her “Otaku Idol Haruhi Dance” video. After going through the comments of that post, I’d like to add some things regarding the topic and attempting to use my rudimentary legal knowledge to complain about media companies’ throwing their weight around, distressing licit creators in the process, and YouTube’s inability to tell those companies “That’s enough!” Read the rest of this entry »
I recently received an e-mail from YouTube informing me that some of my videos had been “rejected” for copyright infringement. The company that reported the infringement was none other than Yomiuri Broadcasting. The videos rejected were an short clip and the entire episode it came from, which was posted after many requests from other members. The short clip was posted to demostrate how numbers on Japanese license plates could be read as words like “yoroshiku” (46-49). Read the rest of this entry »
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