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This afternoon, someone I follow on Twitter retweeted a link to a Mania/AOD thread where someone posted seeing Monster on Syfy’s October schedule. The series will start airing during the channel’s Ani-Monday block on October 12th at 11pm with two-episode-a-week pace. The timing makes sense since Viz announced at their Comic-Con panel that the first box set would come out in December.

This news makes one of my 2009 predictions come true: the one about a “new” anime debuting on American cable TV. Technically, it could make its American premiere on the Funimation Channel as part of a deal with Viz announced in April. It may have already done so – I haven’t checked the VOD/PPV listings in a while. But since not everyone gets that channel and Syfy is part of many basic cable/satellite packages, many including myself would consider October to be its “true” US premiere.

By the way, the 17th volume of Naoki Urasawa’s manga will come out on October 21st and its 18th & final installment on December 16th.

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In Monster episode 14, Eva sends off a married businessman after a night of intimacy then notices her gardener saw him leave and knows of her dealings with numerous men so she asks him if he has the confidence to make her happy. (His wife hangs around with different men and hasn’t come home for a while.) The next day, Eva invites him out to dinner at a classy restaurant and he wakes up in the middle of the night next to her in her bed.
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I was flipping through a recent issue of Time Magazine (July 14th) that was lying around the house and saw a feature called “Famous Authors’ Guilty Pleasures”. What struck me was that Pulitzer Prize winner Junot Diaz chose the Monster manga as his, although I probably shouldn’t have been surprised after reading the front flap of his immigrant-family novel, The Brief Wonderous Life of Oscar Wao:

Things have never been easy for Oscar, a sweet but disastrously overweight ghetto nerd, a New Jersey romantic who dreams of becoming the Dominican J.R.R. Tolkien, and, most of all, of finding love. But he may never get what he wants, thanks to the fukú — the ancient curse that has haunted Oscar’s family for generations, dooming them to prison, torture, tragic accidents, and, above all, ill-starred love. Oscar, still dreaming of his first kiss, is only its most recent victim — until the fateful summer that he decides to be its last.

Diaz described Monster‘s Johan as “one of the weirdest, most attractive psychotic masterminds in literature” and mentioned other characters like Nina, Inspector Runge and Eva as components of Tenma’s “epic quest”. I am idly interested to see how US sales of the manga are affected by this mention in a mainstream magazine and I might have to take a peek at Oscar Wao because it seems interesting…and because it won an award, like Monster won the 2001 General Shogakukan Manga Award. (I also want to check out The Black Lizard Big Book of Pulps for a different reason.)

And yes, I did discover that ANN wrote about this two weeks ago during this post’s composition but it was news to me so I’m posting about it anyway.

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