Manga

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When the anime adaptation of Kobato. was announced earlier this month, I thought I would go back to some of the later volumes of Newtype USA, where the manga was serialized in English before the magazine shut down. The first chapter I found, chapter 9, began with Kobato looking around the city for cold beer on a hot summer day as suggested by her stuffed animal guide, Ioryogi-san, who told her that the proliferation of beer gardens would trump “Cool Biz” in its ability to combat global warming. After enjoying that chapter, which marked the end of a prologue of sorts, I found a previous one (ch. 4) where Kobato kept an elderly woman company on New Year’s Day. I liked that one as well so I now find myself catching up on the manga.

The basic plot is that Kobato Hanato, a naive girl, tries to ease the wounded hearts of troubled people in order to fill a bottle with their bad feelings. When she finishes filling the bottle, she will be able to go to someplace where she deeply wants to travel. Where exactly is not revealed at first but one might put two and two together and make an informed guess when they notice she always covers the top of her head with various hats. She begins to helps out at a nursery school and meets two people who have been seen previously in the comic but never directly crossed paths with her.

Thinking about why I am attracted to the manga, I think it is the combination of Kobato’s determination and Ioryogi’s fits of frustration when Kobato screws up. I would like for it to be properly published in the US and I am sure it will garner a certain level of sales as a CLAMP property. It wouldn’t be a 21st-century title from them without some small nods to other franchises and the ones in this manga include a bakery sharing its name with one from Chobits, the daughters of Kobato’s landlady are named Chiho and Chise, and Misaki from Angelic Layer can be seen during Kobato’s search for free beer samples. (I am discovering such references through online research, just like I did when watching Tsubasa Chronicle, since I possess a insufficient familiarity with their catalog of works.)

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This morning, I received the following e-mail message from Manganovel:

Manganovel Service Information Bulletin
—————————————

Manganovel
December 12, 2008

Termination of Manganovel Services

Dear Manganovel Users:

Please be advised that we will terminate all Manganovel services on February 27, 2009. Towards this, we will discontinue the following services as of today:
?User Registration
?Point Sales
?Posting of translation by Manganovel Users

Users who currently hold “points” will receive an e-mail from us around January 15th, 2009, detailing how to use those points.

For the meantime, Manga will be available for purchase if you have points, and you can also enjoy free manga.

We would like to extend our thanks to you for using Manganovel services.

Contact
For further information, please contact usercontact@manganovel.com.

I signed up for an account in October 2007 soon after its launch, downloaded the viewing software, and didn’t do much after that. The concept was that users would buy packages of points in order to purchase raw digital chapters or volumes (some of which were free) and different language translations uploaded by other users. Those users whose translations were bought received points in their account if they decide to charge for them (they could also offer gratis translations), which they could use to buy more digital manga. That’s a rough explanation from memory – I hope it sufficed.

I thought it was an interesting system when it came out but I quickly realized that the points currency was stuck within it (no cashing out) and that I didn’t really feel like trying to translate Japanese into English or German just to use that revenue to buy more chapters or translations of digital manga. I’m sure some dedicated users will miss the site and its weekly addition of chapters and/or user translations and it may have allowed budding translators an opportunity to practice their skills. It was an experiment in digital manga distribution using low-profile titles and though it may not have caught on in a large way, it did launch 10 months before DMP put up its eManga rental site and that must be worth something.

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It seems like nary a few months pass before another one of Scott’s entries into his Anime Almanac weblog spawns a multitude of partisan objection. The latest incident involves an challenge between himself and the Reverse Thieves, whom I don’t regularly read but are apparently well-known, to confront each other’s comfort boundaries. For Scott, it was yaoi manga (specifically, the two-volume Gerard & Jacques) and for the not-quite-Robin Hoods, it was Kodomo no Jikan. (I have read neither work involved in the challenge so I have no opinion subjectively on either.)

The back-and-forth between author and readers (not between the two blogs) mainly focused on Scott’s reaction to a rape scene in the second volume of his assignment – he has since written an addendum on the matter – but there remained something in his original final paragraphs which I still felt the need to formally comment on in writing.
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After seeing Baka-Raptor’s comparison of Soul Eater and Bleach and viewing an out-of-order-for-me episode during a club Halloween party, I began to think of how this emerging shonen franchise would differentiate itself in its foray into a broader North American consciousness. But I was surprised that the first manga volume is scheduled to come out a FULL YEAR from now in October next year! (The first light novel volume of Spice and Wolf is slated for a December 2009 release with a six-month schedule so that may be more painful for restless readers.)

Out of the five manga that debuted in issue 1 of Yen Plus — Soul Eater, Sumomomo Momomo, Nabari no Ou, Higurashi, Bamboo Blade — only Higurashi will have its first volume come out this year with the others making their individually bound debuts in May 2009 or October ‘09, the latter being the case for Soul Eater. While I initially thought that the long delays were part of a “syndicate first, bind later” strategy and still do, I believe Yen Press is purposely holding back Soul Eater’s initial volume release in order to promote it using Atsushi Ookubo’s (the artist’s) prior work, B.ICHI – the same type of cross-promotion appeared at the end of the Japanese 1st volume. The desire to gain more subscribers to its monthly magazine contributes to the delay of all the serialized titles by having readers to consume individual slices from different types of figurative bread rather than eat whole loafs at a time. (Not sure if that food analogy worked…) The monthly meting out of individual chapters should provide an consistent and slightly less intensive workload for those assigned to such projects, which is a good thing for a relatively small operation compared to the more established industry names.
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This blog takes no official position on smoking but it does support multicolored skies.

In this edition of Potluck: reaction to Mario Parva’s interview and to some unsubstantiated Amazon listings, a different sort of team blog is born, and a small morsel of anime sales data.
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