DVD

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From top left: Cowboy Bebop Remix Collection (2008), Kannagi 1 (2009), Lucky Star OVA (2009), Hayate 1 (2009)

I received the Cowboy Bebop Remix set in the mail last week and soon noticed that “Animated Interactive Menus” was mentioned under DVD Features. I remembered seeing that interactive menus touted on the Kannagi and Lucky Star volumes and mentioned that on Twitter, complaining that such a basic feature of the format shouldn’t really be mentioned. To me, it’s like saying CDs have Dynamic Track Navigation. Later that night, I realized that ‘features’ can be also used as a verb so the listing on the box is about what the DVD features, not what the DVD features are (those are called “DVD Extras” on these releases) so I felt a little stupid. However, I still felt my main complaint may been worth writing about.

This week, I received the Lucky Star OVA and the first Hayate the Combat Butler volume and as I expected, those two also had menus listed under what the DVD features, effectively giving me the green light to continue working on this post.
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Kadokawa uploaded the above CM to its YouTube channel Friday to advertise Vol. 1 of Haruhi-chan/Churuya-san will come out on DVD May 29th for 5040 yen (about US$50). According to Animate, volume 2 and volume 3 have dates of June 25th and July 30th, respectively.

CDJapan lists the runtime for each of the three volumes (vol. 1 page) as 40 minutes, meaning one volume should contain about eight episodes of each series, assuming an average time of 3-3:30 minutes per Haruhi-chan episode and 1:30-2 min. for Churuya-san episodes. The CM also mentions first pressing extras of a soundtrack CD for volume 1 and four commentary cards & one of five bromide character cards for each subsequent volume.

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I’d never heard of this eight 12-minute-episode OVA series (originally named Dai Mahou Touge) prior seeing it on October’s release schedule from Media Blasters so I lacked any assumptions going into it. I put it in my rental queue and it came a few months later.
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Clockwise from top left: Ami, Junta, Tomoko, Karin.

How It Got There:
I acquired the 1994 anime series DNA^2 (pronounced “DNA two” in Japanese dub, “DNA Squared” in English dub) during TRSI’s 2007 holiday clearance sale because 15 episodes for 20 bucks was apparently too good to pass up at the time. The main review I read before purchase said it was a pretty good shonen comedy so I bit on the deal and didn’t begin watching until last month.
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There was an article in my local newspaper — The Sacramento Bee — today about rental kiosks as a part of the overall market of DVD rentals and sales and while it reminded readers that kiosks are a small part of the market due to poor selection (surprise!), I wanted to pass along the final few lines from the piece:

“Video on demand has always been the business that is going to be worth $10 billion in 10 years and always will be,” he [Tom Adams, president of Adams Media Research] says. Pay-per-view on cable and Internet downloads to home computers are two methods that thus far have failed to catch on with consumers.

Still, Adams believes new technologies such as Apple TV, which connects TVs to the Internet, is a “market that will eventually develop.”

But, he adds, DVD sales and rentals will remain vital, because “humans like to finger the merchandise, even if they’re just renting.”

I’ve heard this tendency to want a tangible copy of consumable media from music buyers (higher fidelity and DRM-less), video game players (resale value and portability), and movie buffs (extra features) and I guess I consider myself a part of that group in some cases. However, the majority of people will want to just consume the main content and I think more of them will shift toward renting movies through digital devices like Apple TV or a Netflix-enabled box as their primary method of seeing films after their theatrical release as bandwidth and HDTV penetration increase, digital catalogs expand, and certain video stores eventually fold.

Finally, I found it a bit odd that Mr. Adams chose to use the word ‘humans’ instead of ‘people’, as if he were anticipating robots or animals thinking of watching movies and TV shows with similar critical discretion that people engage in when deciding what to watch. It may not sound as strange in the future, though, when we have sentient artificial beings that would have no use for disc media.

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